Art Science Research Laboratory (ASRL), a New York based, not-for-profit organization, is committed to the creation of intellectual environment and advocacy of interdisciplinary study, encompassing the areas of research, collections and publishing. Founded in 1998 by Rhonda Roland Shearer and the late Professor Stephen Jay Gould (1941-2002), ASRL provides a unique setting where art historians, scientists, artists, designers, and programmers work together. Everyone is encouraged to contribute ideas, participate in a dynamic environment, and challenge the outdated but still prominent structures of practices in the arts, sciences, and humanities. Our goal is to promote and facilitate a fast, thorough, and efficient global exchange of knowledge in fields ranging from art and science, scholars collective, and journalism ethics, to the cyberBOOK+ system, to generate a network of people sharing knowledge and research methodologies for mutual understanding of cultures and histories.
ASRL’s first major project in art-science education focuses on the lifework of the French-American artist, Marcel Duchamp (1887~1968). Duchamp constantly challenged the boundary separating the cultural from the scientific. Throughout his life, he incorporated mathematics, optics and perceptual theory into his art and design work. He presented his viewers with a series of mental games, still relevant today, that impelled them to re-evaluate Intuition, Memory, and the Creative Act. His brain-teasing games of perception and knowledge and the underlying mathematics within his complicated oeuvre lie at the core of ASRL research. In November 5-7, 1999,
(the internationally acclaimed symposium examining topics relevant to both Henry Poincare and Duchamp) was held at the Harvard University Science Center. Shortly after the Harvard Symposium, in December 1999, the first electronic journal on Duchamp study,
was launched. Since its inauguration, Tout-Fait has established itself as the accredited asset for scholarly study, recommended by the BBC, the New York Times, the Leonardo Digital Review, and AICA-USA (the United States section of the International Association of Art Critics). Most of all, in the Lab is the largest private collection of works by or related to Duchamp, and an extensive archive of historical ephemera materials, which is accessible, free of charge, to interested scholars, students, and the general public.
Ms. Rhonda Roland Shearer, together with London Allen, initiated the
a day after the attacks on the World Trade Center on September 11, 2001. The mission for this project is to work closely, directly and systematically with the WTC recovery staff at Ground Zero and Fresh Kills to expediently identify and provide essential tools, equipment, and health, safety and comfort supplies. Because of the daily participation of volunteers, WTC Ground Zero Relief kept up with the pace of the on-site recovery effort until the effort’s conclusion in July 2002. In keeping with its conviction of the necessity of correct and honest historical documentation, ASRL presents the
which resulted from Ms. Shearer’s scrutiny of 9/11 literatures and news reports. ASRL introduces methodologies normally practiced by science to help improve the process of creating good journalism.
ASRL has recently partnered with Stanford University Library on the creation of the
Equipped with the state-of-the-art digitalizing technology and knowledge, Stanford University Library will scan and digitize the antiquarian book collection, manuscripts, papers, and ephemeral materials of Professor Gould, making them available online in the Official Stephen Jay Gould Archive.
- Rhonda Roland Shearer
- Roland R. Spadafora
- Jade S. Allen